{"id":131,"date":"2018-10-08T19:19:59","date_gmt":"2018-10-08T18:19:59","guid":{"rendered":"http:\/\/patriciavilches.com\/english\/?page_id=131"},"modified":"2025-07-24T12:48:47","modified_gmt":"2025-07-24T11:48:47","slug":"publications-2","status":"publish","type":"page","link":"http:\/\/patriciavilches.com\/english\/","title":{"rendered":"Patricia vilches -PUBLICATIONS"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading\"><\/h3>\n\n\n\n<p><strong>Books:<\/strong><\/p>\n\n\n\n<p>Expected Publication October 2025. Co-authored with Lorna Dillon. <em>The Visionary Praxis of Violeta Parra: Music, Poetry, and Art<\/em>. Bloomsbury.<\/p>\n\n\n\n<p>2023. <em>Salvador Allende and the Villa San Luis: Icons of the Just City<\/em>. New York: Palgrave McMillan. https:\/\/link.springer.com\/book\/10.1007\/978-3-031-18938-8.<\/p>\n\n\n\n<p>2021. Editor and Contributor. <em>Blest Gana at 100<\/em>. Published by <em>Open Cultural Studies<\/em>.<\/p>\n\n\n\n<p>Introduction: \u201cAlberto Blest Gana: 100 Years Later,\u201d no. 5, pp. 3-15. <a href=\"https:\/\/doi.org\/10.1515\/culture-2021-0003\">https:\/\/doi.org\/10.1515\/culture-2021-0003<\/a>;<\/p>\n\n\n\n<p>Contribution: \u201cAlberto Blest Gana and the Sensory Appeal of Wealth, \u201d no. 5, pp. 81-95. <a href=\"https:\/\/doi.org\/10.1515\/culture-2021-0006\">https:\/\/doi.org\/10.1515\/culture-2021-0006<\/a>.<\/p>\n\n\n\n<p>2020. Editor and Contributor. <em>Negotiating Space in Latin America<\/em>. Netherlands: Brill Academic Publishers. <a href=\"https:\/\/brill.com\/view\/title\/55707\">https:\/\/brill.com\/view\/title\/55707<\/a>.<\/p>\n\n\n\n<p>&#8211; Selected by <em>Choice<\/em> 2020 List of Outstanding Academic Titles.<\/p>\n\n\n\n<p>Introduction: \u201cDis\/Locating Space in Latin America.\u201d <em>Negotiating Space in Latin America<\/em>, ed. Patricia Vilches, 3-18. Netherlands: Brill Academic Publishers;<\/p>\n\n\n\n<p>Contribution: \u201cLa Moneda in Ruins: The Palace Tomb and Epitaph of Salvador Allende.\u201d <em>Negotiating Space in Latin America<\/em>, ed. Patricia Vilches, 300-328. Netherlands: Brill Academic Publishers.<\/p>\n\n\n\n<p>2018. Editor and Contributor. <em>Mapping Violeta Parra\u2019s Cultural Landscapes<\/em>. New York: Palgrave McMillan. <a href=\"https:\/\/www.palgrave.com\/gp\/book\/9783319693019\">https:\/\/www.palgrave.com\/gp\/book\/9783319693019<\/a>.<\/p>\n\n\n\n<p>Introduction: \u201c<em>Con fuerza, Violeta Parra<\/em>: The Artist and Her Legacy.\u201d <em>Mapping Violeta Parra\u2019s Cultural Landscapes<\/em>, ed. Patricia Vilches, 1-10. New York: Palgrave McMillan;<\/p>\n\n\n\n<p>Contribution: \u201cVioleta Parra: Her Museum and Carpa as Spaces of Nostalgia.\u201d <em>Mapping Violeta Parra\u2019s Cultural Landscapes<\/em>, ed. Patricia Vilches, 103-117. New York: Palgrave McMillan.<\/p>\n\n\n\n<p>2017. <em>Blest Gana via Machiavelli and Cervantes: National Identity and Social Order in Chile<\/em>. Cambridge Scholars.<\/p>\n\n\n\n<p>2007. Editor with Gerald Seaman. And Contributor. <em>Seeking Real Truths: Multidisciplinary Perspectives on Machiavelli.<\/em> Leiden, The Netherlands: Brill Academic Publishers.<\/p>\n\n\n\n<p>Introduction: \u201cThe Enduring Power of Niccol\u00f2 Machiavelli: An Overview of his Life and Times.\u201d&nbsp; In <em>Seeking Real Truths: Multidisciplinary Perspectives on Machiavelli.<\/em> Eds. Patricia Vilches and Gerald Seaman, 1-18. Leiden, The Netherlands: Brill Academic Publishers;<\/p>\n\n\n\n<p>Contribution: \u201cThe Mask in the Mirror: Nicomaco as an Imprudent Ruler-Prince in the <em>Clizia.\u201d <\/em>In <em>Seeking Real Truths: Multidisciplinary Perspectives on Machiavelli.<\/em> Eds. Patricia Vilches and Gerald Seaman, 219-244. Leiden, The Netherlands: Brill Academic Publishers.<\/p>\n\n\n\n<p><strong>Articles (Selected):<\/strong><\/p>\n\n\n\n<p>2024. \u201cVioleta Parra: The Hybrid Space of an Ethnographer and Artist.\u201d <em>Journal of Romances Studies<\/em>, vol. 24, no. 1, pp. 33\u201354. <a href=\"https:\/\/doi.org\/10.3828\/jrs.2024\">https:\/\/doi.org\/10.3828\/jrs.2024<\/a>.<\/p>\n\n\n\n<p>2023. \u201cAlberto Blest Gana and the Unhappy Endings of Beautiful Men.\u201d <em>Hispanic Review<\/em>, vol. 91, no. 3, pp. 363-85.<\/p>\n\n\n\n<p>2021. \u201cA Portrait of the urban female: Sebasti\u00e1n Lelio\u2019s <em>Gloria<\/em> and <em>Gloria Bell<\/em>.\u201d <em>Studies in Spanish and Latin American Cinema<\/em>, vol. 18, no.3, pp. 259\u201375. <a href=\"https:\/\/doi.org\/10.1386\/slac_00055_1.\">https:\/\/doi.org\/10.1386\/slac_00055_1<\/a>.<\/p>\n\n\n\n<p>2021. \u201cWhen No Means \u2018Yes\u2019 and \u2018No.\u2019\u201d <em>Film International<\/em>, vol. 19, no. 2, pp. 124\u201335. <a href=\"https:\/\/doi.org\/10.1386\/fint_00093_1\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.1386\/fint_00093_1<\/a>. <a href=\"https:\/\/www.ingentaconnect.com\/content\/intellect\/fint\/2021\/00000019\/00000002\" target=\"_blank\" rel=\"noreferrer noopener\"><em>FINT<\/em> 19.2<\/a>.<\/p>\n\n\n\n<p>2019. \u201cEl tejido de la naci\u00f3n: El orden social, la moda y los accesorios en dos novelas de Alberto Blest Gana [The Fabric of a Nation: Social Order, Fashion, and Accessories in Two Novels by Alberto Blest Gana]. <em>Anales de Literatura Chilena<\/em>, no. 32, pp. 35\u201358.<\/p>\n\n\n\n<p>2019. \u201cGeograf\u00edas humanas y espacio del Chile moderno en las <em>D\u00e9cimas<\/em> de Violeta Parra\u201d [Human Geographies and the Space of the Modern in Violeta Parra\u2019s <em>D\u00e9cimas<\/em>]. <em>Artelogie<\/em> 13, pp. 1\u201319. <a href=\"https:\/\/journals.openedition.org\/artelogie\/3098\">https:\/\/journals.openedition.org\/artelogie\/3098<\/a>.<\/p>\n\n\n\n<p>2017. \u201cCervantes, Lizardi, and the Literary Construction of the Mexican Rogue in <em>Don Catr\u00edn de la fachenda<\/em>.\u201d <em>Open Cultural Studies<\/em>, no. 1, pp. 428\u201341. <a href=\"https:\/\/doi.org\/10.1515\/culture-2017-0040\">https:\/\/doi.org\/10.1515\/culture-2017-0040<\/a>.<\/p>\n\n\n\n<p>2017. \u201cChivalry, Materialism, and the Grotesque in <em>Don Quijote<\/em> and Alberto Blest Gana\u2019s <em>El ideal de un calavera.\u201d Open Cultural Studies<\/em>, no. 1, pp. 17\u201331.<\/p>\n\n\n\n<p><a href=\"https:\/\/doi.org\/10.1515\/culture-2017-0003.\">https:\/\/doi.org\/10.1515\/culture-2017-0003<\/a>.<\/p>\n\n\n\n<p>2016. \u201cAndr\u00e9s Wood\u2019s <em>Machuca<\/em> and <em>Violeta Went to Heaven<\/em>: The Geographical Spaces of Conflict in Chile.\u201d <em>Latin American Perspectives<\/em>, no. 43.5, pp. 45\u201361. <a href=\"https:\/\/doi.org\/10.1177\/0094582X16651084\">https:\/\/doi.org\/10.1177\/0094582X16651084<\/a>.<\/p>\n\n\n\n<p>2013. \u201c<em>Violeta se fue a los cielos <\/em>de Andr\u00e9s Wood: El naufragio de La Carpa de La Reina.\u201d [<em>Violeta Went to Heaven<\/em> by Andr\u00e9s Wood. The Wreckage of the Tent of La Reina] Ed. Rosa Tapia, \u201cSpanish and Latin American Cinema.\u201d <em>Revista Internacional D\u2019Humanitats<\/em>, no. 29, pp. 63\u201380.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.hottopos.com\/rih29\/63-80Vilches_REV-RT.pdf\">http:\/\/www.hottopos.com\/rih29\/63-80Vilches_REV-RT.pdf<\/a>.<\/p>\n\n\n\n<p>2013. \u201cMonumental Italians: Machiavelli, Giuseppe Rondizzoni and Chilean Independence.\u201d <em>Forum Italicum, <\/em>no.47, pp. 346\u201363. <a href=\"https:\/\/journals.sagepub.com\/doi\/10.1177\/0014585813484251\">https:\/\/journals.sagepub.com\/doi\/10.1177\/0014585813484251<\/a> .<\/p>\n\n\n\n<p>2012. <em>\u201c<\/em><em>Prudenza<\/em> as Spectacle: Machiavelli, Cervantes, and Their Leading Ladies.\u201d In <em>The Power of Place<\/em>. Chasson, Robert Timothy and Thomas J. Sienkewicz, eds., 210\u201319. Chicago: Associated Colleges of the Midwest.<\/p>\n\n\n\n<p>2011. \u201cNot a Fox but a Lion: A Machiavellian Reading of Chile\u2019s First President, Jos\u00e9 Miguel Carrera.\u201d <em>M\/MLA Journal<\/em>, no. 44, pp. 123\u201344. <a href=\"https:\/\/www.jstor.org\/stable\/23621448\">https:\/\/www.jstor.org\/stable\/23621448<\/a> .<\/p>\n\n\n\n<p>2010. <a href=\"http:\/\/bib.cervantesvirtual.com\/proceso_correc.shtml?portal=265&amp;idObra=38888\">\u201cRoc\u00edn-Antes: La vestimenta y el lujo como referentes de ascendencia social y espacio econ\u00f3mico en la nobleza espiritual de <em>Don Quijote<\/em> y <em>Mart\u00edn Rivas<\/em><\/a>\u201d [Roc\u00edn-Antes: Dressing, Luxury, Upward Mobility and Economic Space in <em>Don Quijote<\/em> and <em>Mart\u00edn Rivas<\/em>] <em>Biblioteca Virtual Miguel de Cervantes<\/em>, Revised 2010. Available: <a href=\"http:\/\/www.cervantesvirtual.com\/nd\/ark:\/59851\/bmc086r7\">http:\/\/www.cervantesvirtual.com\/nd\/ark:\/59851\/bmc086r7<\/a>.<\/p>\n\n\n\n<p>2010. \u201c<em>Mart\u00edn Rivas, <\/em>Maquiavelo y masculinidad decimon\u00f3nica chilena\u201d [<em>Mart\u00edn Rivas<\/em>, Machiavelli and Nineteenth-Century Chilean Masculinity] <em>Anales de Literatura Chilena, <\/em>no.13, pp. 69\u201388.<\/p>\n\n\n\n<p>2010. \u201cAlicia Galaz: Transculturaci\u00f3n, Ilusi\u00f3n y Acci\u00f3n humana en poes\u00eda\u201d [Transculturation, Illusion, and Human Action in Poetry] <em>Trilce<\/em>, no. 28, pp. 34\u201338<em>.<\/em><\/p>\n\n\n\n<p>2008. \u201cEl cuerpo femenino: Efectos est\u00e9ticos de pol\u00edtica neoliberal y violencia urbana en las <em>D\u00e9cimas <\/em>de Violeta Parra.\u201d [The Feminine Body: Aesthetic Effects of Neoliberal Politics and Urban Violence in Violeta Parra\u2019s <em>D\u00e9cimas<\/em>] <em>IXQUIC: Revista Hisp\u00e1nica internacional de an\u00e1lisis literario y cultural<\/em>, no. 9, pp. 61\u201384.<\/p>\n\n\n\n<p>2008. \u201c<a>\u2018Una olla de algo m\u00e1s vaca que carnero:\u2019 Espacio socio-econ\u00f3mico y conceptos de nacionalismo en <em>Don Quijote<\/em> y en <em>Don Catr\u00edn de la Fachenda<\/em> de Lizardi<\/a>\u201d [<em>Una olla de algo m\u00e1s vaca que carnero<\/em>: Socio-Economic Space and Concepts of Nationalism in <em>Don Quijote<\/em> and Lizardi\u2019s <em>Don Catr\u00edn de la Fachenda<\/em>] <em>Nueva revista del Pac\u00edfico<\/em>, no. 53, pp. 121\u201343.<\/p>\n\n\n\n<p>2008. \u201cPugna en el convento y la cocina: Los recovecos de la fe y la construcci\u00f3n del \u2018yo\u2019 femenino en los films <em>Yo la peor de todas<\/em> y <em>Como agua para chocolate<\/em>\u201d [Conflict in the Convent and the Kitchen: The Crannies of Faith and the Construction of a feminine \u2018I\u2019 in the films <em>I, Worst of All<\/em> and <em>Like Water for Chocolate<\/em>] <em>Journal of CEJ <\/em>(Centro de estudios judaicos), no. 14, pp. 133\u201348.<\/p>\n\n\n\n<p>2008. <em>\u201cLa m\u00e1s bella de Mandalay<\/em>: Construcciones de la feminidad oriental en dos poemas de <em>Residencia en la tierra<\/em> de Neruda\u201d [<em>La m\u00e1s bella de Mandalay<\/em>: Constructions of Oriental Femininity in two Poems of <em>Residencia en la tierra<\/em> by Neruda] In <em>Moros en la costa: Orientalismo en Latinoam\u00e9rica<\/em>. Ed. and Intro. Nagy-Zekmi, Silvia, 201\u201316. Madrid, Spain; Frankfurt, Germany; Iberoamericana; Vervuert.<\/p>\n\n\n\n<p>2006. \u201cEl para\u00edso perdido: La ausencia, el destierro, y la memoria en la po\u00e9tica de Pedro Lastra\u201d [Lost Paradise: Absence, Exile, and Memory in the Poetics of Pedro Lastra] In <em>Arte de vivir: Acercamientos cr\u00edticos a la poes\u00eda de Pedro Lastra<\/em>. Eds. Silvia Nagy-Zekmi and Luis Correa, 61\u201380. Santiago, Chile: RIL Editores.<\/p>\n\n\n\n<p>2005. \u201c<em>Roc\u00edn-Antes<\/em>:\u201d La vestimenta, el lujo, y lo material como referentes de ascendencia social y espacio econ\u00f3mico en la nobleza espiritual de Don Quijote y Mart\u00edn Rivas\u201d [Roc\u00edn-Antes: Dressing, Luxury, Upward Mobility and Economic Space in <em>Don Quijote<\/em> and <em>Mart\u00edn Rivas<\/em>] <em>Nueva revista del Pac\u00edfico<\/em>, no. 50, pp. 157\u201376.<\/p>\n\n\n\n<p>2004. \u201cIs It Your Border or Mine? Linguistic Borders, Identity, and Subjectivity, in Mexican, Mexican-American and Dominican Fiction and Film.\u201d <em>CIBERLETRAS <\/em>11. <a href=\"http:\/\/www.lehman.cuny.edu\/ciberletras\/v11\/vilches2.html\">http:\/\/www.lehman.cuny.edu\/ciberletras\/v11\/vilches2.html<\/a>.<\/p>\n\n\n\n<p>2004. \u201cDe Violeta Parra a V\u00edctor Jara y Los Prisioneros: Recuperaci\u00f3n de la memoria colectiva e identidad cultural a trav\u00e9s de la m\u00fasica comprometida\u201d [From Violeta Parra to V\u00edctor Jara and Los Prisioneros: Recuperation of Collective Memory and Cultural Identity through Protest Song] <em>Latin American Music Review\/Revista de M\u00fasica Latinoamericana<\/em>, vol 25, no. 2, pp.195\u2013215.<\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Books: Expected Publication October 2025. Co-authored with Lorna Dillon. The Visionary Praxis of Violeta Parra: Music, Poetry, and Art. Bloomsbury. 2023. Salvador Allende and the Villa San Luis: Icons of the Just City. New York: Palgrave McMillan. https:\/\/link.springer.com\/book\/10.1007\/978-3-031-18938-8. 2021. Editor and Contributor. Blest Gana at 100. Published by Open Cultural Studies. Introduction: \u201cAlberto Blest Gana: &hellip; <a href=\"http:\/\/patriciavilches.com\/english\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Patricia vilches -PUBLICATIONS<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-131","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/patriciavilches.com\/english\/wp-json\/wp\/v2\/pages\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/patriciavilches.com\/english\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/patriciavilches.com\/english\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/patriciavilches.com\/english\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/patriciavilches.com\/english\/wp-json\/wp\/v2\/comments?post=131"}],"version-history":[{"count":49,"href":"http:\/\/patriciavilches.com\/english\/wp-json\/wp\/v2\/pages\/131\/revisions"}],"predecessor-version":[{"id":315,"href":"http:\/\/patriciavilches.com\/english\/wp-json\/wp\/v2\/pages\/131\/revisions\/315"}],"wp:attachment":[{"href":"http:\/\/patriciavilches.com\/english\/wp-json\/wp\/v2\/media?parent=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}